| 000 | 08304nam a22017417a 4500 | ||
|---|---|---|---|
| 999 |
_c7429 _d7428 |
||
| 003 | OSt | ||
| 005 | 20231108170446.0 | ||
| 008 | 170510s2001 ph a|||| ||| 000 0 eng d | ||
| 020 | _a9715422977 | ||
| 040 | _cQCPL | ||
| 082 | _a792.09599 | ||
| 100 | 1 |
_aGoquingco, Leonor Orosa _eauthor |
|
| 245 | 0 | 0 |
_aCurtain call _b: selected reviews, 1957-2000 _c/ Leonor Orosa-Goquingco |
| 264 | 1 |
_aQuezon City : _bUniversity of the Philippines Press, _c[2001] |
|
| 300 |
_axii, 344 pages : _billustrations |
||
| 336 |
_2rdacontent _atext |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
||
| 505 | 0 | _a"Vagina monologues" : women's voices, woeful to gleeful | |
| 505 | 0 | _a"Fire, water, woman" : who's to blame? | |
| 505 | 0 | _a"Miss Saigon" : truly spectacular | |
| 505 | 0 | _aIllonggo artfest : bountiful "Harvest 2000" | |
| 505 | 0 | _aClassical Monique : a unique and marvellous feat | |
| 505 | 0 | _aMozart in "Don Giovanni" : "to hell with you, villain!" | |
| 505 | 0 | _aGCF's high flying, amazing trip to "Aswanglandia" | |
| 505 | 0 | _a"The king and I" : a shining moment | |
| 505 | 0 | _a"Death of a salesman" : it's a rough world, dearie! | |
| 505 | 0 | _aPBT's "Butterfly" : a glorious triumph | |
| 505 | 0 | _a"Joseph the dreamer" : praise the Lord alleluia! | |
| 505 | 0 | _a"Shakespeare in love" : fun and frolic aplenty | |
| 505 | 0 | _aÄguinaldo : 1898, "the great betrayal" | |
| 505 | 0 | _aGarcia Lorca's "Yerma" : theater of stifled yearnings | |
| 505 | 0 | _a"Mayo ... bisperas ng liwanag" : a triumph of Filipino creativity | |
| 505 | 0 | _a"South Pacific" : one enchanted evening | |
| 505 | 0 | _aMake mine Rosen | |
| 505 | 0 | _aGurney's "love letters" : P.S. to a love affair | |
| 505 | 0 | _a"Lapu-Lapu" : great expectations, some fulfilled | |
| 505 | 0 | _a"Magnificat" : an awesomely real Mary | |
| 505 | 0 | _a"Chess- the musical" : theater that enriches heart, mind and soul | |
| 505 | 0 | _a"Scenes from an unfinished country 1905/1995" : a tearful trip back into history | |
| 505 | 0 | _a"1896" : The crucifixion of the Filipino | |
| 505 | 0 | _a"Mga ama, mga anak" : a story of power and perverse torture | |
| 505 | 0 | _a"Sakura-hime" : the play of the year | |
| 505 | 0 | _aThe "phantom"goes to Hongkong | |
| 505 | 0 | _aGraham's "living voice" | |
| 505 | 0 | _aBravo, Margie Gillis | |
| 505 | 0 | _a"Ulilang tahanan" : a drama of broken dreams | |
| 505 | 0 | _a"Hinilawod," piece de resistance | |
| 505 | 0 | _a"Salome" : a spectacular triumph | |
| 505 | 0 | _aThe magic of "Les Miz" | |
| 505 | 0 | _aA play about star-crossed October | |
| 505 | 0 | _a"Sa kuko ng liwanag" : greed and lust today's banner story | |
| 505 | 0 | _a"Teresa, Gregoria, Teodora" : brave, bold, beautiful | |
| 505 | 0 | _a"A doll's house" : a classic drama on a still-relevant theme | |
| 505 | 0 | _a"St. Louis" : they don't love dem flips | |
| 505 | 0 | _a"DH" : Nora's sincerity shines through | |
| 505 | 0 | _a"Neo-Filipino" : a thrilling "return to native" | |
| 505 | 0 | _aMorishita : magical still | |
| 505 | 0 | _aGo, go Guerrero! | |
| 505 | 0 | _a"Minsaý isang gamu-gamu" : shattering that American dream | |
| 505 | 0 | _a"Paglipas" laced with fun and laughter | |
| 505 | 0 | _a"Batang pro" : penetrating, compassionate | |
| 505 | 0 | _a"Paglilitis ni Mang Serapio" : very socially relevant | |
| 505 | 0 | _a"Cyrano" : romance and derring-do | |
| 505 | 0 | _aManiya, incandescent Juliet | |
| 505 | 0 | _aThe scintillating Sonia Amelio | |
| 505 | 0 | _a"Tonyo, Pepe at Pule" : our burning need for heroes | |
| 505 | 0 | _a"Poor man, rich man" : a saint in suspenders | |
| 505 | 0 | _a"Bayan-bayanan" : life abroad no paradise | |
| 505 | 0 | _a"Buwan at baril" : grim reminder of an abusive regime | |
| 505 | 0 | _aDouglas Nierras dares- and how! | |
| 505 | 0 | _aIn my father's house" : who were our war heroes? | |
| 505 | 0 | _a"All these are but one" : forceful voices that will never be stilled | |
| 505 | 0 | _aKaty de la Cruz : jazz queen of all time | |
| 505 | 0 | _aThe Washington ballet : a triple triumph for Asian talents | |
| 505 | 0 | _aRizal's "Fili" : the drama continues | |
| 505 | 0 | _aChris Harris : non-stop laughter with ally Sloper, S.C. | |
| 505 | 0 | _a"El camino ral" : who were the worst of our conquerors? | |
| 505 | 0 | _aMarcel Marceau : poet and painter of dreams | |
| 505 | 0 | _a"Mano-mano"Jean Marie Syjuco : the girl of a thousand nuances of expression | |
| 505 | 0 | _a"The aqueduct" : a masterwork from from the ashes of World War II | |
| 505 | 0 | _a"The great refusal" : a dramatic coup no less | |
| 505 | 0 | _a"Macli-ing" : rare sweep and grandeur | |
| 505 | 0 | _a"Florante at Laura" : passionately beautiful | |
| 505 | 0 | _aLisa shines in "Don Quixote" | |
| 505 | 0 | _a"Lasong itim" packs a mighty wallop | |
| 505 | 0 | _a"Piaf" : the harrowing torments of a genius of songs | |
| 505 | 0 | _a"Hiblang abo" : truth stares you in the eye | |
| 505 | 0 | _a"Zilina black theater" : thoroughly enchanting | |
| 505 | 0 | _a"Building at Rizal" : a big-hearted girl, a snappy comedienne | |
| 505 | 0 | _aReligious ecstasy in Bulgaria's Arabesk ballet group | |
| 505 | 0 | _a"In frailty's grace" : breathing life into Josephine Bracken | |
| 505 | 0 | _a"Pagsambang Bayan III"- theater ablaze with a mission | |
| 505 | 0 | _a"La loba negra" : Fides Asencio was magnificent | |
| 505 | 0 | _aLike an ancient carving coming to life | |
| 505 | 0 | _aPure poetry in Anna's "Giselle" | |
| 505 | 0 | _aCecile nearly steals show from Slava | |
| 505 | 0 | _a"Tolentino" : local theater at its best | |
| 505 | 0 | _a"Peer Gynt" : Antonio Mabesa's bid for theatrical fame | |
| 505 | 0 | _a"Missa Profana" : Zimmermann's thundering cry for salvation | |
| 505 | 0 | _aChildren of a lesser God" : humanizing trip into the world of the deaf | |
| 505 | 0 | _aThe underworld comes alive in "Sipgnet" | |
| 505 | 0 | _a"El ballet nuevo mundo de caracas" : Manuel Molina triumphs | |
| 505 | 0 | _a"Ain't misbehavin" : Baby Barredo is still tops | |
| 505 | 0 | _aLongest ovation ever as Plisetskaya conquers Manila | |
| 505 | 0 | _aStrong cast of "Amadeus" | |
| 505 | 0 | _a"Aglipay" : non-traditional, perhaps; stirring, yes | |
| 505 | 0 | _aMaaazel displays master touch : the Cleaveland orchestra makes an auspicious debut | |
| 505 | 0 | _a"Labayen and friends"a milestone in ballet history | |
| 505 | 0 | _aA destructive Juan Luna | |
| 505 | 0 | _a"Two for theater" : lovable exiles | |
| 505 | 0 | _aAgelles Alonso | |
| 505 | 0 | _aDoes the play "Galileo" disprove the doctrine of the pope's infallibility? | |
| 505 | 0 | _a"Kanser" : history set in drama | |
| 505 | 0 | _a"Starek-Beethoven" : night of the titans | |
| 505 | 0 | _a"Canuplin" : memories of the Filipino artist as copycat | |
| 505 | 0 | _a"Rama Hari" : Gods and demigods in current setting | |
| 505 | 0 | _a"Vaudeville" : big cheers for Kambayoka | |
| 505 | 0 | _aJuan's "Pantomina de mascaras" | |
| 505 | 0 | _aCheers for Caballe | |
| 505 | 0 | _aJoaquin's "Pantomina de mascaras" | |
| 505 | 0 | _aSummer '75 : Nadres' "Hanggang dito na lamang" | |
| 505 | 0 | _a"Mga kuwentong Maranao" | |
| 505 | 0 | _a"The green table" : Jooos ballet on war | |
| 505 | 0 | _a"Kabesang Tales" : the pot of clay | |
| 505 | 0 | _aJose Greco company: heady as wine (01-13-75/ Bulletin Today) | |
| 505 | 0 | _aYevgeny Yevtushenko : man between two fires | |
| 505 | 0 | _a"Heneral Sakay" : "The terror of the Sierra Madre" | |
| 505 | 0 | _aMPF's "Aida" : Rosal triumphant return | |
| 505 | 0 | _aPETA's "Halimaw" : "mirror, mirror on the wall" | |
| 505 | 0 | _a"Prinsipe Baldivino" : comedia de capa y espada | |
| 505 | 0 | _a"The onyx wolf" : when the bells tolls, it tolls for thee" | |
| 505 | 0 | _aBeverly skills : peerless soprano | |
| 505 | 0 | _a"Medea" : wounded lioness at bay | |
| 505 | 0 | _aAshkenazy : in a class by himself | |
| 505 | 0 | _aStruchkova stars | |
| 505 | 0 | _aThe Charles Lloyd quarter : "toot-toot" and "boom-boom" | |
| 505 | 0 | _aLucero Tena : liquid fire | |
| 505 | 0 | _aWings and the Australian ballet | |
| 505 | 0 | _aKerstin Meyer : exquisite art | |
| 505 | 0 | _aScriven rounds up puppet characterizations with imaginative detail | |
| 505 | 0 | _aImpeccable musicianship from Vienna boy's choir | |
| 505 | _aThe Estanislao-Lozada concert | ||
| 650 |
_aTheater _zPhilippines _vReviews |
||
| 650 |
_aPerforming arts _zPhilippines _vReviews |
||
| 942 |
_2ddc _cBOOK |
||
| 690 | _aFilipiniana | ||