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008 | 161128s1986 ph |||| ||| 00| m eng d | ||
020 | _a9710830724 | ||
040 | _cQCPL | ||
082 | _a808.8 | ||
245 | 0 | 0 |
_aPrism _b: an introduction to literature _c/ Yolanda V. Tomeldan, general editor |
264 | 1 |
_aManila : _bNational Book Store, _c1986 |
|
300 | _axxiv, 793 pages | ||
336 |
_2rdacontent _atext |
||
337 |
_2rdamedia _aunmediated |
||
338 |
_2rdacarrier _avolume |
||
505 | 0 | _aPart I. The short story | |
505 | 0 | _aBritish, American, and European short stories | |
505 | 0 | _aThe use of force / William Carlos Williams | |
505 | 0 | _aAn episode of war / Stephen Crane | |
505 | 0 | _aMoonlight / Guy de Maupassant | |
505 | 0 | _aThe last judgment / Karel Capek | |
505 | 0 | _aThe fly / Katherine Mansfield | |
505 | 0 | _aIn exile / Anton Chekov | |
505 | 0 | _aAraby / James Joyce | |
505 | 0 | _aThe innocent / Graham Greene | |
505 | 0 | _aFlight / John Steinbeck | |
505 | 0 | _aThe Horse dealer's daughter / D.H Lawrence | |
505 | 0 | _aA clean, well-lighted place / Ernest Hemingway | |
505 | 0 | _aThe lagoon / Joseph Conrad | |
505 | 0 | _aChildren are civilians too / Heinrich Boll | |
505 | 0 | _aThe new dress / Virginia Woolf | |
505 | 0 | _aAsian, Latin American, and African short stories | |
505 | 0 | _aA little incident / Lu Hsun | |
505 | 0 | _aKarma / Khushwant Singh | |
505 | 0 | _aIncense in the lab / Victor Barnouw | |
505 | 0 | _aThe last rite / Lee Yu-Hwa | |
505 | 0 | _aThe handstand / Ogawa Mimei | |
505 | 0 | _aIn a grove / Ryunosuke Akutagawa | |
505 | 0 | _aThe baby in the bottle / Benjamin Bautista | |
505 | 0 | _aA long day's dying / William Eastlake | |
505 | 0 | _aSix feet of the country / Nadine Gordimer | |
505 | 0 | _aBalthazar's marvelous afternoon / Gabriel Garcia Marquez | |
505 | 0 | _aHunger / Gilda Cordero-Fernando | |
505 | 0 | _aThe yellow shawl / Francisco Arcellana | |
505 | 0 | _aFaith, love, time and Dr. Lazaro / Gregorio C. Brillantes | |
505 | 0 | _aThe summer solstice / Nick Joaquin | |
505 | 0 | _aAlternate listing of short stories | |
505 | 0 | _aPlot : | |
505 | 0 | _aThe fly / Katherine Mansfield | |
505 | 0 | _aFlight / John Steinbeck | |
505 | 0 | _aThe lagoon / Joseph Conrad | |
505 | 0 | _aThe handstand / Ogawa Mimei | |
505 | 0 | _aIn a grove / Ryunosuke Akutagawa | |
505 | 0 | _aBalthazar's marvelous afternoon / Gabriel Garcia Marquez | |
505 | 0 | _aThe yellow shawl / Francisco Arcellana | |
505 | 0 | _aFaith, love, time and Dr. Lazaro / Gregorio Brillantes | |
505 | 0 | _aCharacters : | |
505 | 0 | _aIn exile / Anton Chekov | |
505 | 0 | _aThe new dress / Virginia Woolf | |
505 | 0 | _aKarma / Khushwant Singh | |
505 | 0 | _aA long day's dying / William Eastlake | |
505 | 0 | _aSix feet of the country / Nadine Gordimer | |
505 | 0 | _aHunger / Gilda Cordero-Fernando | |
505 | 0 | _aFaith, love, time and Dr. Lazaro / Gregorio Brillantes | |
505 | 0 | _aThe summer solstice / Nick Joaquin | |
505 | 0 | _aTheme : | |
505 | 0 | _aMoonlight / Guy de Maupassant | |
505 | 0 | _aAraby / James Joyce | |
505 | 0 | _aFlight / John Steinbeck | |
505 | 0 | _aThe horse dealers's daughter / D.H Lawrence | |
505 | 0 | _aChildren are civilians too / Heinrich Boll | |
505 | 0 | _aIncense in the lab / Victor Barnouw | |
505 | 0 | _aSix feet of the country / Nadine Gordimer | |
505 | 0 | _aHunger / Gilda Cordero-Fernando | |
505 | 0 | _afaith, love, time and Dr. Lazaro / Gregorio Brillantes | |
505 | 0 | _aThe summer solstice / Nick Joaquin | |
505 | 0 | _aStyle : | |
505 | 0 | _aA clean, well-light place / Ernest Hemingway | |
505 | 0 | _aThe lagoon / Joseph Conrad | |
505 | 0 | _aThe new dress / Virginia Woolf | |
505 | 0 | _aThe summer solstice / Nick Joaquin | |
505 | 0 | _aSetting : | |
505 | 0 | _aIn exile / Anton Chekov | |
505 | 0 | _aThe lagoon / Joseph Conrad | |
505 | 0 | _aIncense in the lab / Victor Barnouw | |
505 | 0 | _aThe last rite / Lee Yu-Hwa | |
505 | 0 | _aSix feet of the country / Nadine Gordimer | |
505 | 0 | _aThe summer solstice / Nick Joaquin | |
505 | 0 | _aPart II : The poem | |
505 | 0 | _aSection one - form | |
505 | 0 | _aThe three ravens / Anonymous | |
505 | 0 | _aThe twa corbies / Anonymous | |
505 | 0 | _aOn "The three ravens" and "The twa corbies" / Earl Daniels | |
505 | 0 | _aBonny Barbara Allan / Anonymous | |
505 | 0 | _aLord Randal / Anonymous | |
505 | 0 | _aFrankie and Johnny / Anonymous | |
505 | 0 | _aAll in green went my love riding / E.E Cummings | |
505 | 0 | _aSonnet XV / William Shakespeare | |
505 | 0 | _aBatter my heart, three person'd God / John Donne | |
505 | 0 | _aProspice / Robert Browning | |
505 | 0 | _aThe love song of J. Alfred Prufrock / T.S. Eliot | |
505 | 0 | _aElegy / Gene Derwood | |
505 | 0 | _aTo my brother Miguel: in memorian / Cesar Vallejo | |
505 | 0 | _aOde on a Grecian urn / John Keats | |
505 | 0 | _aDo not go gentle into that good night / Dylan Thomas | |
505 | 0 | _aThe walking / Theodore Roethke | |
505 | 0 | _aTarantella / Hilaire Belloc | |
505 | 0 | _aTwo translations of a haiku by Issa | |
505 | 0 | _aThree translations of a haiku by Basho | |
505 | 0 | _aThe bright centipede / Jose Garcia Villa | |
505 | 0 | _aHomage / Kenneth Fearing | |
505 | 0 | _aPoem / E.E. Cummings | |
505 | 0 | _aPoem I / E.E. Cummings | |
505 | 0 | _aThe emperor's new sonnet / Jose Garcia Villa | |
505 | 0 | _aThe bashful one / Jose Garcia Villa | |
505 | 0 | _aSection two - imagery | |
505 | 0 | _aNight clouds / Amy Lowell | |
505 | 0 | _aNight rain / John Pepper Clark | |
505 | 0 | _aPied beauty / Gerard Manley Hopkins | |
505 | 0 | _alandscape II / Carlos Angeles | |
505 | 0 | _aThe white pony / Anonymous | |
505 | 0 | _aPreludes / T.S. Eliot | |
505 | 0 | _aMarina / T.S. Eliot | |
505 | 0 | _aSpanish dancer / Rainer Maria Rilke | |
505 | 0 | _aThe panther / Rainer Maria Rilke | |
505 | 0 | _aThe river / Kedar Nath Agrawal | |
505 | 0 | _aDesign / Robert Frost | |
505 | 0 | _aJuggler / Richard Wilbur | |
505 | 0 | _aBecause I could not stop for death / Emily Dickinson | |
505 | 0 | _aOn "Because I could not stop for death" / Richard Chase | |
505 | 0 | _aThe brain is wider than the sky / Emily Dickinson | |
505 | 0 | _aIt dropped so low in my regard / Emily Dickinson | |
505 | 0 | _aAfter great pain a formal feeling comes / Emily Dickinson | |
505 | 0 | _aSonnet 65 / William Shakespeare | |
505 | 0 | _aSonnet 73 / William Shakespeare | |
505 | 0 | _aTo an athlete dying young / A. E. Housman | |
505 | 0 | _aThe enamel girl / Genevieve Taggard | |
505 | 0 | _aThe town where eggs are falling / Shiraishi Kazuko | |
505 | 0 | _aReascending Chingkangshan / Mao Tsetung | |
505 | 0 | _aJade flower palace / Tu Fu | |
505 | 0 | _aHaiku / Moritake | |
505 | 0 | _aTwo haikus / Basho | |
505 | 0 | _aAfrica / Jacques Roumain | |
505 | 0 | _aSonnet 116 / William Shakespeare | |
505 | 0 | _aLove on the farm / D.H. Lawrence | |
505 | 0 | _aSection three - diction | |
505 | 0 | _aThe rose tree / William Butler Yeats | |
505 | 0 | _aOn "The rose tree" / Wayne Shumaker | |
505 | 0 | _aAnd what are words? / Gemino Abad | |
505 | 0 | _aSpring and fall: to a young child / Gerard Manley Hopkins | |
505 | 0 | _aThe leaden echo and the golden echo / Gerard Manley Hopkins | |
505 | 0 | _aCanzone. W.H. Auden | |
505 | 0 | _aLay your sleeping head, my love / W.H. Auden | |
505 | 0 | _aPoem in October / Dylan Thomas | |
505 | 0 | _aPity this busy monster, mankind / E.E. Cummings | |
505 | 0 | _aI think continually of those who were truly great / Stephen Spender | |
505 | 0 | _aAlways and always the amaranth astir / Jose Garcia Villa | |
505 | 0 | _aLove is that later thing than death / Emily Dickinson | |
505 | 0 | _aShe dwelt among the untrodden ways / William Wordsworth | |
505 | 0 | _aGod's grandeur / Gerard Manley Hopkins | |
505 | 0 | _aIn the deep museum / Anne Sexton | |
505 | 0 | _aThe force that through the green fuse / Dylan Thomas | |
505 | 0 | _aThe second coming / William Butler Yeats | |
505 | 0 | _aFrom "Open letters to Filipino artists" / Emmanuel Lacaba | |
505 | 0 | _aVanity of vanities / Anonymous | |
505 | 0 | _aStopping by woods on a snowy evening / Robert Frost | |
505 | 0 | _aThe soul selects her own society / Emily Dickinson | |
505 | 0 | _aFrom "Howl, Part I" / Allen Ginsberg | |
505 | 0 | _aPoem VII / E.E. Cummings | |
505 | 0 | _aCongealation / Homero Ch. Veloso | |
505 | 0 | _aReaching for a handful / Homero Ch. Veloso | |
505 | 0 | _aManila / Federico Licsi Espino, Jr. | |
505 | 0 | _aSection four - tone | |
505 | 0 | _aTo his coy mistress / Andrew Marvell | |
505 | 0 | _aOn "To his coy mistress" / John Hawley Roberts | |
505 | 0 | _aThe groundhog / Richard Eberhart | |
505 | 0 | _aPiazza piece / John Crowe Ransom | |
505 | 0 | _aRichard Cory / Edwin Arlington Robinson | |
505 | 0 | _aOde to a dead millionaire / Pablo Neruda | |
505 | 0 | _aWar is kind / Stephen Crane | |
505 | 0 | _aThe unknown citizen / W.H. Auden | |
505 | 0 | _aThe man he killed / Thomas Hardy | |
505 | 0 | _aThe world is a beautiful place / Lawrence Ferlinghetti | |
505 | 0 | _aTelephone conversation / Wole Soyinka | |
505 | 0 | _aWhat the rich think of the masses / Emmanuel Torres | |
505 | 0 | _aA red, red rose / Robert Burns | |
505 | 0 | _aSong / John Donne | |
505 | 0 | _aAn elementary school classroom in a slum / Stephen Spender | |
505 | 0 | _aIn time of "The breaking of nations" / Thomas Hardy | |
505 | 0 | _aLife cycle of common man / Howard Nemerov | |
505 | 0 | _aA eulogy of roaches / Bienvenido Lumbera | |
505 | 0 | _aThe united fruit company / Pablo Neruda | |
505 | 0 | _aIf you wants to know what we are (1940) / Carlos Bulosan | |
505 | 0 | _aPoem for study | |
505 | 0 | _aI. British, American, and European poetry | |
505 | 0 | _aThe good morrow / John Donne | |
505 | 0 | _aAnthem for doomed youth / Wilfred Owen | |
505 | 0 | _aThe wild swans at coole / William Butler Yeats | |
505 | 0 | _aIn my craft or sullen art / Dylan Thomas | |
505 | 0 | _aThe last Chrysanthemum / Thomas Hardy | |
505 | 0 | _aEleanor Rigby / John Lennon | |
505 | 0 | _aThe sounds of silence / Paul Simon | |
505 | 0 | _aPoetry / Marianne Moore | |
505 | 0 | _aArt poetica / Archibald Macleish | |
505 | 0 | _aof modern poetry / Wallace Stevens | |
505 | 0 | _aSomewhere I have never travelled / E.E. Cummings | |
505 | 0 | _aAuto wreck / Karl Shapiro | |
505 | 0 | _aRomance sonambulo / Federico Garcia Lorca | |
505 | 0 | _aWalking asleep / Federico Garcia Lorca | |
505 | 0 | _aAriettes Oubliees III / Paul Verlaine | |
505 | 0 | _aSongs forgotten III / Paul Verlaine | |
505 | 0 | _aHomage to life / Jules Supervielle | |
505 | 0 | _aAutumn / Rainer Maria Rilke | |
505 | 0 | _aReadings / Czeslaw Milosz | |
505 | 0 | _aHope / Czeslaw Milosz | |
505 | 0 | _aII. Asian, Latin American, and African poetry | |
505 | 0 | _aFighting on the South frontier / Li Po | |
505 | 0 | _aRipe plums / Anonymous | |
505 | 0 | _aOno no Yoshiki / Kokim Shu | |
505 | 0 | _aJungle rot and open arms / Janice Mirikitani | |
505 | 0 | _aThe leg irons / Ho Chi Minh | |
505 | 0 | _aThe Taj Mahal / Sahir Ludhianvi | |
505 | 0 | _aPolitics / Amrita Pritam | |
505 | 0 | _aPoem / Taufiq Rafat | |
505 | 0 | _aAll men are created equal / Carlos Bulosan | |
505 | 0 | _aThe moon and the prisoner / Gemino Abad | |
505 | 0 | _aAn armstretch of sky / Amado Hernandez | |
505 | 0 | _aPedagogic / Cirilo Bautista | |
505 | 0 | _aPlaza Miranda, 1960 / Federico Licsi Espino, Jr. | |
505 | 0 | _aDeber del Poeta / Pablo Neruda | |
505 | 0 | _aPoet's obligation / Pablo Neruda | |
505 | 0 | _aFrom "names" / Nicolas Guillen | |
505 | 0 | _aPiano and drums / Gabriel Okara | |
505 | 0 | _aPart III: The play | |
505 | 0 | _aThe nature of drama | |
505 | 0 | _aThe Greek theater: Sophocles' "Oedipus Rex" | |
505 | 0 | _aOedipus Rex / Sophocles | |
505 | 0 | _aThe epic theater: Brecht's "Mother courage and her children" | |
505 | 0 | _aMother courage and her children / Bertolt Brecht | |
505 | 0 | _aAmerican expressionist theater: Williams' "The glass menagerie" | |
505 | 0 | _aThe glass menagerie / Tennessee Williams | |
505 | 0 | _aThe modern Noh play: Mishima's "The lady Aoi" | |
505 | 0 | _aThe lady Aoi / Yukio Mishima | |
505 | 0 | _aAfrican drama in English: Soyinka's "The swamp dwellers" | |
505 | 0 | _aThe swamp dwellers / Wole Soyinka | |
505 | 0 | _aRealism in the Philippine theater in English: Joaquin's "Father and sons" | |
505 | 0 | _aFather and sons / Nick Joaquin | |
505 | 0 | _aExpressionism in Philippine drama: Bonifacio's "Sepang Loca" | |
505 | 0 | _aSepang Loca / Amelia LapeƱa-Bonifacio | |
650 |
_aLiterature _vCollections |
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700 | 1 |
_aTomeldan, Yolanda V. _eeditor |
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942 |
_2ddc _cBOOK |
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690 | _aLiterature |