| 000 | 01736nam a22004337a 4500 | ||
|---|---|---|---|
| 999 |
_c5505 _d5504 |
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| 003 | OSt | ||
| 005 | 20231108165636.0 | ||
| 008 | 160907b1998 ph ||||| |||| 00| 0 eng d | ||
| 020 | _a9715421687 | ||
| 040 |
_cQCPL _erda |
||
| 082 | _a791.4309599 | ||
| 100 | 1 | 0 |
_aDavid, Joel _eauthor |
| 245 | 1 | 0 |
_aWages of cinema _b: film in Philippine perspective _c/ Joel David |
| 264 | 1 |
_aQuezon City : _bUniversity of the Philippines Press, _c[1998] |
|
| 300 | _axv, 223 pages | ||
| 336 |
_2rdacontent _atext |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
||
| 504 | _aIncludes bibliographical references. | ||
| 505 | _aA question of appositeness: structuralism to poststructuralism | ||
| 505 | _aThe multiple-character film format | ||
| 505 | _aGenre pastiche in the horror film | ||
| 505 | _aAuteur criticism: a non-recuperative reapparaisal | ||
| 505 | _aA cultural policy experience in Philippine cinema | ||
| 505 | _aViable lessons from another third-world model | ||
| 505 | _aRace as discourse in Southeast Asia Film Ethnographies | ||
| 505 | _aIdeas on Philippine film: a critical survey | ||
| 505 | _aPractice makes perfect: alternative Philippine cinema | ||
| 505 | _aA history of the history of a history-to-be | ||
| 505 | _aGender as masquerade in the Vietnam-war film | ||
| 505 | _aFilm in the light of the "history" of sexuality | ||
| 505 | _aPornography and erotica: boundaries in dissolution | ||
| 505 | _aWomanliness as (Masculine masquerade in psychoanalytic film-texts | ||
| 505 | _aPostcolonial conundrum: third-world film in perverse perspective | ||
| 650 |
_aMotion pictures _zPhilippines _vHistory |
||
| 655 | _2lcgft | ||
| 942 |
_2ddc _cBOOK |
||
| 690 | _aFilipiniana | ||