000 | 01949nam a22007097a 4500 | ||
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999 |
_c16644 _d16643 |
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003 | OSt | ||
005 | 20231108172215.0 | ||
008 | 220728s2005 ph |||| b||| 000 p eng d | ||
020 | _a9715424651 | ||
040 | _cQCPL | ||
082 | _a899.2101 | ||
100 | 1 |
_aReyes, Isabelita Orlina _eauthor |
|
245 | 1 | 0 |
_aIn transitives _c/ Isabelita Orlina Reyes |
264 | 1 |
_aQuezon City : _bUniversity of the Philippines Press, _c[2005] |
|
300 | _avi, 86 pages | ||
336 |
_2rdacontent _atext |
||
337 |
_2rdamedia _aunmediated |
||
338 |
_2rdacarrier _avolume |
||
504 | _aIncludes bibliographical references (pages 81-86). | ||
505 | 0 | _aHow things might appear | |
505 | 0 | _aCircadian rhythm | |
505 | 0 | _aIn between | |
505 | 0 | _aWhat a thing is made of | |
505 | 0 | _aReplay | |
505 | 0 | _aWhat you're getting into | |
505 | 0 | _aTo begin with | |
505 | 0 | _aA letter | |
505 | 0 | _aMisplaced | |
505 | 0 | _aDrafting by your bedside | |
505 | 0 | _aWhat a thing is made of | |
505 | 0 | _aPenumbra | |
505 | 0 | _aLosing the trivial | |
505 | 0 | _aThe stone | |
505 | 0 | _aWhat a thing is made of | |
505 | 0 | _aBeloved | |
505 | 0 | _aToo many dreams | |
505 | 0 | _aPerimeter | |
505 | 0 | _aOr seems to exist when it does not | |
505 | 0 | _aWaking hours | |
505 | 0 | _aToo many movies | |
505 | 0 | _aWhere it resides | |
505 | 0 | _aTill death do us (or the uses of cliches) | |
505 | 0 | _aTo leave | |
505 | 0 | _aSmoke | |
505 | 0 | _aCertain things | |
505 | 0 | _aSpill | |
505 | 0 | _aTheft | |
505 | 0 | _aAntipolo meditation in bifocals | |
505 | 0 | _aCompass | |
505 | 0 | _aTexture | |
505 | 0 | _aIn a minute | |
505 | 0 | _aThe morning of cows | |
505 | 0 | _a"Spin | |
505 | 0 | _aTo force | |
505 | 0 | _aMeeting places | |
505 | 0 | _aReprise | |
505 | 0 | _aPrayer to that which permeates | |
505 | 0 | _aSome poetry | |
650 | _aPhilippine poetry (English) | ||
942 |
_2ddc _cBOOK |
||
690 | _aFilipiniana |