| 000 | 03687nam a22011897a 4500 | ||
|---|---|---|---|
| 999 |
_c16216 _d16215 |
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| 003 | OSt | ||
| 005 | 20231106142035.0 | ||
| 008 | 220622s2014 enka|||| ||| 000 0 eng d | ||
| 020 | _a9781844037537 | ||
| 040 | _cQCPL | ||
| 082 | _a781.66 | ||
| 100 | 1 |
_aBetts, Graham _eauthor |
|
| 245 | 1 | 0 |
_aInfographic guide to music _c/ Graham Betts |
| 264 | 1 |
_aLondon : _bCassell Illustrated, _c2014 |
|
| 300 |
_a160 pages : _bcolor illustrations |
||
| 336 |
_2rdacontent _atext |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
||
| 505 | 0 | _aSaturday night fever | |
| 505 | 0 | _aTake it to the bank | |
| 505 | 0 | _aRecord company historical map | |
| 505 | 0 | _aElvis donut | |
| 505 | 0 | _aAchtung babies | |
| 505 | 0 | _aMusic space | |
| 505 | 0 | _aThe height of pop success | |
| 505 | 0 | _aWhat's on ZZ top's mind | |
| 505 | 0 | _aMaking track to the promised land | |
| 505 | 0 | _aThe not only 27 club | |
| 505 | 0 | _aWho writes the songs | |
| 505 | 0 | _aGet down with James Brown | |
| 505 | 0 | _aPunk's not dead -- nor is prog | |
| 505 | 0 | _aWhy is it so hard to buy a gig ticket | |
| 505 | 0 | _aMJ's lifeline | |
| 505 | 0 | _aThe golden key | |
| 505 | 0 | _aGet a job | |
| 505 | 0 | _aNo Elvis, Beatles or Stones | |
| 505 | 0 | _aName that metal | |
| 505 | 0 | _aDegrees of separation : John Hiatt | |
| 505 | 0 | _aBoys will be girls & girls will be boys | |
| 505 | 0 | _aThe biggest gigs in the world | |
| 505 | 0 | _aRapper's not dead | |
| 505 | 0 | _aBeats per minute | |
| 505 | 0 | _aWe are family | |
| 505 | 0 | _aHow we listened | |
| 505 | 0 | _aIt's your funeral | |
| 505 | 0 | _aYou wear it well | |
| 505 | 0 | _aNew world music | |
| 505 | 0 | _aFiddling while... | |
| 505 | 0 | _aCan't buy me love | |
| 505 | 0 | _aS-S-S-Studio | |
| 505 | 0 | _aWhat's in a name? | |
| 505 | 0 | _aMusicians with degrees and doctorates | |
| 505 | 0 | _aName your record label | |
| 505 | 0 | _aThe wonderful world of the beach boys | |
| 505 | 0 | _aThe pacemaker | |
| 505 | 0 | _aBorn under a bad sign | |
| 505 | 0 | _aI got you babe | |
| 505 | 0 | _aProg rock freak out | |
| 505 | 0 | _aWhich one's pink? | |
| 505 | 0 | _aSplit ticket | |
| 505 | 0 | _aLove to love you baby | |
| 505 | 0 | _aHow to make it in the music biz | |
| 505 | 0 | _aAnd in the end | |
| 505 | 0 | _aRadiohead songs by genre | |
| 505 | 0 | _aMusic sales by genre | |
| 505 | 0 | _aThe changing sound of jazz | |
| 505 | 0 | _aHow many boys make a band? | |
| 505 | 0 | _aDegrees of separation : Rihanna | |
| 505 | 0 | _aLouder than God | |
| 505 | 0 | _aClassic go pop | |
| 505 | 0 | _aSample this | |
| 505 | 0 | _aThe cool of Dylan | |
| 505 | 0 | _aClassical centenary celebration | |
| 505 | 0 | _aDavid Bowie is | |
| 505 | 0 | _aMusic preferences from around the world | |
| 505 | 0 | _aIt takes two | |
| 505 | 0 | _aThe big vinyl fightback | |
| 505 | 0 | _aRoyalty cake | |
| 505 | 0 | _aCover me | |
| 505 | 0 | _aOne and none hit wonders | |
| 505 | 0 | _aDoes size matter? | |
| 505 | 0 | _aA history of electronic music | |
| 505 | 0 | _aRock of ages | |
| 505 | 0 | _aI fought the law (Sorta) | |
| 505 | 0 | _aThe solipsism index | |
| 505 | 0 | _aMadonna in music | |
| 505 | 0 | _aThe sound of live music | |
| 505 | 0 | _aThree-chord wonders | |
| 505 | 0 | _aIs it over when the fat lady sings? | |
| 505 | 0 | _aHip-hop by numbers | |
| 505 | 0 | _aThe new economics of the music industry | |
| 505 | 0 | _aOriginal soundtrack | |
| 505 | 0 | _aFollowing the dead | |
| 505 | 0 | _a100 years of rock | |
| 505 | 0 | _aJesusland on YouTube | |
| 505 | 0 | _aThe 360 degrees of Jay-Z | |
| 505 | 0 | _aWhere classical music comes from | |
| 650 |
_aRock music _vMiscellanea |
||
| 650 |
_aRock musicians _vMiscellanea |
||
| 650 |
_aRock groups _vMiscellanea |
||
| 942 |
_2ddc _cBOOK |
||