000 | 01972nam a22005657a 4500 | ||
---|---|---|---|
999 |
_c14509 _d14508 |
||
003 | OSt | ||
005 | 20231103135947.0 | ||
006 | m|||||o||d| 00| 0 | ||
007 | cr || auc||a|a | ||
008 | 220106s2021 enka||||sb||| 000 0 eng d | ||
020 |
_a9781800641969 _qPDF |
||
040 | _cQCPL | ||
100 | 1 |
_93328 _aReid, Darren R. _eauthor |
|
245 | 1 | 0 |
_aDocumentary making for digital humanists _c/ Darren R. Reid and Brett Sanders |
264 | 1 |
_a[Cambridge] : _bOpen Book Publishers, _c[2021] |
|
300 |
_a1 online resource : _billustrations (chiefly color) |
||
336 |
_2rdacontent _atext |
||
337 |
_2rdamedia _acomputer |
||
338 |
_2rdacarrier _aonline resource |
||
504 | _aIncludes bibliographical references. | ||
505 | 0 | _aThe humanist auteur | |
505 | 0 | _aLearning to love the camera | |
505 | 0 | _aThe production process | |
505 | 0 | _aConcept and planning | |
505 | 0 | _aCollaboration | |
505 | 0 | _aPrecedent | |
505 | 0 | _aChoosing your filmmaking equipment | |
505 | 0 | _aCore methods | |
505 | 0 | _aSettings, lenses, focus, and exposure | |
505 | 0 | _aComposing a shot - tips and techniques | |
505 | 0 | _aShots and compositions considered | |
505 | 0 | _aThe visual language of cinema | |
505 | 0 | _aInterviews | |
505 | 0 | _aRecording audio and creating soundscapes | |
505 | 0 | _aLight | |
505 | 0 | _aCamera movement | |
505 | 0 | _aThe two-page film school | |
505 | 0 | _aPost-mortem : making a short documentary about the 2016 presidential election | |
505 | 0 | _aPost-production workflow | |
505 | 0 | _aThe three-act structure | |
505 | 0 | _aThe protagonist | |
505 | 0 | _aAssembly | |
505 | 0 | _aEditing workflow in Adobe Premiere Pro | |
505 | 0 | _aDistribution and dissemination | |
650 |
_aDocumentary films _xProduction and direction |
||
655 | _aElectronic books | ||
700 | 1 |
_93329 _aSanders, Brett _eauthor |
|
856 |
_aopenbookpublishers.com _uhttps://books.openbookpublishers.com/10.11647/obp.0255.pdf |
||
942 |
_2ddc _cEBOOK |