000 04438nam a22011177a 4500
999 _c14160
_d14159
003 OSt
005 20231103135748.0
006 m|||||o||d| 00| 0
007 cr || auc||a|a
008 210831s2020 -uk ||||sb||| 000 0 eng d
020 _a9781912656615
_qPDF
040 _cQCPL
100 1 _92413
_aGross, Sally Anne
_eauthor
245 1 0 _aCan music make you sick?
_b: measuring the price of musical ambition
_c/ Sally Anne Gross & George Musgrave
264 1 _aLondon :
_bUniversity of Westminster Press,
_c2020
300 _a1 online resource (186 pages)
336 _2rdacontent
_atext
337 _2rdamedia
_acomputer
338 _2rdacarrier
_aonline resource
504 _aIncludes bibliographical references.
505 0 _aIntroduction : special objects, special subjects
505 0 _aWhat makes you think you’re so special?
505 0 _aYou don’t have to be mad, but it helps
505 0 _aCan music really make you sick?
505 0 _aAbundant music, excessive music?
505 0 _aCommunicating when music is media content
505 0 _aMusic education and the pipeline
505 0 _aWhat are we seeking to do in this book?
505 0 _aSanity, madness and music
505 0 _aSigns of emotional distress and the new language of mental health
505 0 _aMusic and suffering : the limits of magical thinking
505 0 _aMethodology : our survey findings – anxiety and depression by numbers
505 0 _aA deep dive : solo artists, gender and age
505 0 _aInterviews : understanding feeling
505 0 _aConclusion : status and the rhetoric of fantasies
505 0 _aThe status of work
505 0 _aFinancial precarity and defining ‘work’
505 0 _aWork, work, work
505 0 _aMoney and meaning
505 0 _aPleasure and self-exploitation
505 0 _aProfessionalism and value
505 0 _aMusical ‘success’?
505 0 _aHow to define success
505 0 _aCapital, image and illusion
505 0 _aFailure, responsibility and identity
505 0 _aExpectations and the myth of the future
505 0 _aThe achievement-expectation gap
505 0 _aMusic as social mobility
505 0 _a‘Deification and demolish’
505 0 _aConclusions : take part, make… content
505 0 _aThe status of value
505 0 _aValidation ‘online’
505 0 _aFeedback and vulnerability
505 0 _aCompetition and relevancy
505 0 _aAbundance and communicating
505 0 _aValidation in ‘the industry’
505 0 _aReputation and contracts
505 0 _aThe deal
505 0 _aOn the role of luck
505 0 _aLuck, power and privilege
505 0 _aThe myth of control and the nature of blame
505 0 _aSymbolic inefficiency and stickiness
505 0 _aDo you feel in control?
505 0 _aConclusions : welcome to the ‘you’ industry
505 0 _aThe status of relationships
505 0 _aPersonal relationships
505 0 _aFamily, guilt and sustainability
505 0 _aThe role of London
505 0 _aTouring and family life
505 0 _aThe work/leisure distinction
505 0 _aMusic as a gambling addiction
505 0 _aProfessional relationships
505 0 _aWomen and their relationships
505 0 _aSexual abuse and misogyny
505 0 _aSelf-perception
505 0 _aWomen online
505 0 _aConclusions : drive and being ‘occupied’ by your occupation
505 0 _aConclusions : what do you believe in?
505 0 _aDiscipline and dreaming
505 0 _a’Twas ever thus : what’s new?
505 0 _aExperiencing abundance, making data
505 0 _a‘Let’s talk about it’ : what would living better look like?
505 0 _aTherapy and listening
505 0 _aPublic policy and learning lessons?
505 0 _aDuty of care : responsibility and control
505 0 _aThe case of Lil Peep
505 0 _aMusic education now : reflections
505 0 _aQuestions of content and new ways of teaching
505 0 _aConcluding thoughts : myths and wellbeing
650 _aMusicians
_xMental health
_zGreat Britain
650 _aMusic trade
_zGreat Britain
_xPsychological aspects
655 _aElectronic books
700 1 _92414
_aMusgrave, George
_eauthor
856 _aunglue.it
_uhttps://unglueit-files.s3.amazonaws.com/ebf/2f3e2afaeeaf4cbbad0f0b2cd602fd6e.pdf
942 _2ddc
_cEBOOK