| 000 | 03182nam a22009137a 4500 | ||
|---|---|---|---|
| 999 |
_c14053 _d14052 |
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| 003 | OSt | ||
| 005 | 20231103135714.0 | ||
| 008 | 210625s2007 nyug|||| ||| 001 0 eng d | ||
| 020 | _a9780393973822 | ||
| 040 | _cQCPL | ||
| 082 | _a781.423 | ||
| 100 | 1 |
_aKarpinski, Gary Steven _eauthor |
|
| 245 | 1 | 0 |
_aAnthology for sight singing _c/ Gary S. Karpinski, Richard Kram |
| 264 | 1 |
_aNew York : _bW. W. Norton & Company, _c[2007] |
|
| 300 | _axiii, 463 pages of music | ||
| 336 |
_2rdacontent _anotated music |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
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| 500 | _aCoordinates with: Manual for ear training and sight singing. | ||
| 500 | _aSome selections with texts in various languages. | ||
| 500 | _aIncludes indexes. | ||
| 505 | 0 | _aBasic rhythms in simple meters : skips to 1, 3, and 5 in C major | |
| 505 | 0 | _aThe fifteen major keys | |
| 505 | 0 | _aTies and the dotted beat | |
| 505 | 0 | _aSkips to 7 and 2 as prefix neighbors | |
| 505 | 0 | _aCompound meters | |
| 505 | 0 | _aDiatonic minor | |
| 505 | 0 | _aLower chromatic neighbors | |
| 505 | 0 | _aChromatic 6 and 7 in the minor mode | |
| 505 | 0 | _aTriplets. Duplets | |
| 505 | 0 | _aQuadruple division of the beat simple meters | |
| 505 | 0 | _aConducting pulse levels other than the notated beat | |
| 505 | 0 | _aThe dominant triad | |
| 505 | 0 | _aThe C clefs : alto and tenor clefs | |
| 505 | 0 | _aSkips to 4 and 6 as prefix neighbors | |
| 505 | 0 | _aSextuple division of the beat in compound meters | |
| 505 | 0 | _aRepeat signs | |
| 505 | 0 | _aThe subdominant triad | |
| 505 | 0 | _aSyncopation | |
| 505 | 0 | _aThe dominant seventh chord | |
| 505 | 0 | _aBass lines | |
| 505 | 0 | _aIntroduction to voice leading | |
| 505 | 0 | _aThe leading-tone triad | |
| 505 | 0 | _aThe supertonic triad | |
| 505 | 0 | _aThe submediant triad | |
| 505 | 0 | _aThe mediant triad | |
| 505 | 0 | _aOther seventh chords | |
| 505 | 0 | _aTransposition | |
| 505 | 0 | _aThe modes | |
| 505 | 0 | _aAdvanced triplets | |
| 505 | 0 | _aChromatic passing tones | |
| 505 | 0 | _aSkips to chromatic pitches as prefix neighbors | |
| 505 | 0 | _aChords applied to the dominant | |
| 505 | 0 | _aChords applied to the subdominant | |
| 505 | 0 | _aChords applied to the supertonic | |
| 505 | 0 | _aChords applied to the submediant | |
| 505 | 0 | _aChords applied to the mediant | |
| 505 | 0 | _aThe neapolitan sixth chord | |
| 505 | 0 | _aThe augmented sixth chords | |
| 505 | 0 | _aOther chords | |
| 505 | 0 | _aMelodic sequence | |
| 505 | 0 | _aOther clefs | |
| 505 | 0 | _aHemiola | |
| 505 | 0 | _aStepwise chromatic alterations | |
| 505 | 0 | _aReading in keys other than the notated key signature | |
| 505 | 0 | _aClosely related modulation from the major mode | |
| 505 | 0 | _aClosely related modulation from the minor mode | |
| 505 | 0 | _aDistant modulations | |
| 505 | 0 | _aSuccessive modulations | |
| 505 | 0 | _aFragments of tonality | |
| 505 | 0 | _aAdvanced meter | |
| 505 | 0 | _aMore advanced rhythms | |
| 505 | 0 | _aSome common non-diatonic pitch collections | |
| 505 | 0 | _aHypermeter | |
| 505 | 0 | _aAdditional excerpts for sight singing | |
| 650 | _aSight-singing | ||
| 700 | 1 |
_aKram, Richard _eauthor |
|
| 942 |
_2ddc _cBOOK |
||