Published in 1833, when Sand was 29, it stunned Victorians by advocating the same standard of morality for men and women and by suggesting that both the prostitute and the married woman were slaves to male desire. Sand also questioned monogamy, fidelity, and monastic celibacy. She later made an unsuccessful attempt to revise the book and to expunge its despair and skepticism. The novel shocked contemporary readers with a heroine who, like Sand herself, was an iconoclastic, intellectual woman who scorned society's rules. Independent and sensual, Lélia has had many lovers. Now repelled by physical passion, which represents the means by which men dominate women, Lélia tells her sister Pulchérie, a courtesan, that neither celibacy nor love affairs satisfy her. Pulchérie suggests that Lélia become a courtesan, that she may find fulfillment by giving pleasure to others. Lélia tries to seduce Sténio, a young poet who is in love with her; she cannot continue, however, and sends Pulchérie in her stead. As a result of this betrayal, Sténio falls into utter debauchery, and despite attempts to rescue him, he comes to a tragic end.