Anthology for sight singing / Gary S. Karpinski, Richard Kram
Material type:
- notated music
- unmediated
- volume
- 9780393973822
- 781.423
Item type | Current library | Collection | Call number | Status | Barcode | |
---|---|---|---|---|---|---|
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Main Library Reference Section | Circulation | C 781.423 K18a 2007 (Browse shelf(Opens below)) | Available | 119929d |
Browsing Main Library shelves, Shelving location: Reference Section, Collection: Circulation Close shelf browser (Hides shelf browser)
C 780.71 Ox98 2012 The Oxford handbook of philosophy in music education | C 780.7879494 On58 2000 One world | C 781.1 B711s 2005 Spotlight on music | C 781.423 K18a 2007 Anthology for sight singing | C 781.43 W188r 2008 Reaching out : a musician's guide to interactive performance | C 781.66 B565i 2014 Infographic guide to music | C 781.680904 D117 2003 Da Capo best music writing 2003 : the year's finest writing on rock, pop, jazz, country & more |
Coordinates with: Manual for ear training and sight singing.
Some selections with texts in various languages.
Includes indexes.
Basic rhythms in simple meters : skips to 1, 3, and 5 in C major
The fifteen major keys
Ties and the dotted beat
Skips to 7 and 2 as prefix neighbors
Compound meters
Diatonic minor
Lower chromatic neighbors
Chromatic 6 and 7 in the minor mode
Triplets. Duplets
Quadruple division of the beat simple meters
Conducting pulse levels other than the notated beat
The dominant triad
The C clefs : alto and tenor clefs
Skips to 4 and 6 as prefix neighbors
Sextuple division of the beat in compound meters
Repeat signs
The subdominant triad
Syncopation
The dominant seventh chord
Bass lines
Introduction to voice leading
The leading-tone triad
The supertonic triad
The submediant triad
The mediant triad
Other seventh chords
Transposition
The modes
Advanced triplets
Chromatic passing tones
Skips to chromatic pitches as prefix neighbors
Chords applied to the dominant
Chords applied to the subdominant
Chords applied to the supertonic
Chords applied to the submediant
Chords applied to the mediant
The neapolitan sixth chord
The augmented sixth chords
Other chords
Melodic sequence
Other clefs
Hemiola
Stepwise chromatic alterations
Reading in keys other than the notated key signature
Closely related modulation from the major mode
Closely related modulation from the minor mode
Distant modulations
Successive modulations
Fragments of tonality
Advanced meter
More advanced rhythms
Some common non-diatonic pitch collections
Hypermeter
Additional excerpts for sight singing
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