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170510s2001 ph a|||| ||| 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9715422977 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.09599 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Goquingco, Leonor Orosa |
| Relator term |
author |
| 245 00 - TITLE STATEMENT |
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| Title |
Curtain call |
| Remainder of title |
: selected reviews, 1957-2000 |
| Statement of responsibility, etc. |
/ Leonor Orosa-Goquingco |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Quezon City : |
| Name of producer, publisher, distributor, manufacturer |
University of the Philippines Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2001] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 344 pages : |
| Other physical details |
illustrations |
| 336 ## - Content Type |
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| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Vagina monologues" : women's voices, woeful to gleeful |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Fire, water, woman" : who's to blame? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Miss Saigon" : truly spectacular |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Illonggo artfest : bountiful "Harvest 2000" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Classical Monique : a unique and marvellous feat |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Mozart in "Don Giovanni" : "to hell with you, villain!" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
GCF's high flying, amazing trip to "Aswanglandia" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"The king and I" : a shining moment |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Death of a salesman" : it's a rough world, dearie! |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
PBT's "Butterfly" : a glorious triumph |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Joseph the dreamer" : praise the Lord alleluia! |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Shakespeare in love" : fun and frolic aplenty |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Äguinaldo : 1898, "the great betrayal" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Garcia Lorca's "Yerma" : theater of stifled yearnings |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Mayo ... bisperas ng liwanag" : a triumph of Filipino creativity |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"South Pacific" : one enchanted evening |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Make mine Rosen |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Gurney's "love letters" : P.S. to a love affair |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Lapu-Lapu" : great expectations, some fulfilled |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Magnificat" : an awesomely real Mary |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Chess- the musical" : theater that enriches heart, mind and soul |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Scenes from an unfinished country 1905/1995" : a tearful trip back into history |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"1896" : The crucifixion of the Filipino |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Mga ama, mga anak" : a story of power and perverse torture |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Sakura-hime" : the play of the year |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The "phantom"goes to Hongkong |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Graham's "living voice" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Bravo, Margie Gillis |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Ulilang tahanan" : a drama of broken dreams |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Hinilawod," piece de resistance |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Salome" : a spectacular triumph |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The magic of "Les Miz" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A play about star-crossed October |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Sa kuko ng liwanag" : greed and lust today's banner story |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Teresa, Gregoria, Teodora" : brave, bold, beautiful |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"A doll's house" : a classic drama on a still-relevant theme |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"St. Louis" : they don't love dem flips |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"DH" : Nora's sincerity shines through |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Neo-Filipino" : a thrilling "return to native" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Morishita : magical still |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Go, go Guerrero! |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Minsaý isang gamu-gamu" : shattering that American dream |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Paglipas" laced with fun and laughter |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Batang pro" : penetrating, compassionate |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Paglilitis ni Mang Serapio" : very socially relevant |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Cyrano" : romance and derring-do |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Maniya, incandescent Juliet |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The scintillating Sonia Amelio |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Tonyo, Pepe at Pule" : our burning need for heroes |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Poor man, rich man" : a saint in suspenders |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Bayan-bayanan" : life abroad no paradise |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Buwan at baril" : grim reminder of an abusive regime |
| 505 0# - FORMATTED CONTENTS NOTE |
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Douglas Nierras dares- and how! |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In my father's house" : who were our war heroes? |
| 505 0# - FORMATTED CONTENTS NOTE |
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"All these are but one" : forceful voices that will never be stilled |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Katy de la Cruz : jazz queen of all time |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Washington ballet : a triple triumph for Asian talents |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Rizal's "Fili" : the drama continues |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chris Harris : non-stop laughter with ally Sloper, S.C. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"El camino ral" : who were the worst of our conquerors? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Marcel Marceau : poet and painter of dreams |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Mano-mano"Jean Marie Syjuco : the girl of a thousand nuances of expression |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"The aqueduct" : a masterwork from from the ashes of World War II |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"The great refusal" : a dramatic coup no less |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Macli-ing" : rare sweep and grandeur |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Florante at Laura" : passionately beautiful |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Lisa shines in "Don Quixote" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Lasong itim" packs a mighty wallop |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Piaf" : the harrowing torments of a genius of songs |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Hiblang abo" : truth stares you in the eye |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Zilina black theater" : thoroughly enchanting |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Building at Rizal" : a big-hearted girl, a snappy comedienne |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Religious ecstasy in Bulgaria's Arabesk ballet group |
| 505 0# - FORMATTED CONTENTS NOTE |
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"In frailty's grace" : breathing life into Josephine Bracken |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Pagsambang Bayan III"- theater ablaze with a mission |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"La loba negra" : Fides Asencio was magnificent |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Like an ancient carving coming to life |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Pure poetry in Anna's "Giselle" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cecile nearly steals show from Slava |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Tolentino" : local theater at its best |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Peer Gynt" : Antonio Mabesa's bid for theatrical fame |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Missa Profana" : Zimmermann's thundering cry for salvation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Children of a lesser God" : humanizing trip into the world of the deaf |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The underworld comes alive in "Sipgnet" |
| 505 0# - FORMATTED CONTENTS NOTE |
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"El ballet nuevo mundo de caracas" : Manuel Molina triumphs |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Ain't misbehavin" : Baby Barredo is still tops |
| 505 0# - FORMATTED CONTENTS NOTE |
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Longest ovation ever as Plisetskaya conquers Manila |
| 505 0# - FORMATTED CONTENTS NOTE |
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Strong cast of "Amadeus" |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Aglipay" : non-traditional, perhaps; stirring, yes |
| 505 0# - FORMATTED CONTENTS NOTE |
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Maaazel displays master touch : the Cleaveland orchestra makes an auspicious debut |
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"Labayen and friends"a milestone in ballet history |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A destructive Juan Luna |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Two for theater" : lovable exiles |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Agelles Alonso |
| 505 0# - FORMATTED CONTENTS NOTE |
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Does the play "Galileo" disprove the doctrine of the pope's infallibility? |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Kanser" : history set in drama |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Starek-Beethoven" : night of the titans |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Canuplin" : memories of the Filipino artist as copycat |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Rama Hari" : Gods and demigods in current setting |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Vaudeville" : big cheers for Kambayoka |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Juan's "Pantomina de mascaras" |
| 505 0# - FORMATTED CONTENTS NOTE |
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Cheers for Caballe |
| 505 0# - FORMATTED CONTENTS NOTE |
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Joaquin's "Pantomina de mascaras" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Summer '75 : Nadres' "Hanggang dito na lamang" |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Mga kuwentong Maranao" |
| 505 0# - FORMATTED CONTENTS NOTE |
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"The green table" : Jooos ballet on war |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Kabesang Tales" : the pot of clay |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Jose Greco company: heady as wine (01-13-75/ Bulletin Today) |
| 505 0# - FORMATTED CONTENTS NOTE |
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Yevgeny Yevtushenko : man between two fires |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Heneral Sakay" : "The terror of the Sierra Madre" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
MPF's "Aida" : Rosal triumphant return |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
PETA's "Halimaw" : "mirror, mirror on the wall" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Prinsipe Baldivino" : comedia de capa y espada |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"The onyx wolf" : when the bells tolls, it tolls for thee" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Beverly skills : peerless soprano |
| 505 0# - FORMATTED CONTENTS NOTE |
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"Medea" : wounded lioness at bay |
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Ashkenazy : in a class by himself |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Struchkova stars |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Charles Lloyd quarter : "toot-toot" and "boom-boom" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Lucero Tena : liquid fire |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Wings and the Australian ballet |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Kerstin Meyer : exquisite art |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Scriven rounds up puppet characterizations with imaginative detail |
| 505 0# - FORMATTED CONTENTS NOTE |
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Impeccable musicianship from Vienna boy's choir |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Estanislao-Lozada concert |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Theater |
| Geographic subdivision |
Philippines |
| Form subdivision |
Reviews |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Performing arts |
| Geographic subdivision |
Philippines |
| Form subdivision |
Reviews |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
|---|
| Topical term or geographic name as entry element |
Filipiniana |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |