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05425nam a2201501 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20250121131838.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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250117s2019 enk 001 p eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781788885201 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| Description conventions |
rda |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
821 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Wordsworth, William, |
| Dates associated with a name |
1770-1850 |
| Relator term |
author |
| 245 14 - TITLE STATEMENT |
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| Title |
The poetry of William Wordsworth |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
London : |
| Name of producer, publisher, distributor, manufacturer |
Arcturus Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2019 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
254 pages |
| 336 ## - Content Type |
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| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 490 ## - SERIES STATEMENT |
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| Series statement |
Essentials poetry collection : best loved works from our greatest poets |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Written in very early youth |
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| Formatted contents note |
An evening walk |
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The reverie of poor Susan |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lines left upon a seat in a yew-tree |
| 505 0# - FORMATTED CONTENTS NOTE |
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A night-piece |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lines written at a small distance from my house |
| 505 0# - FORMATTED CONTENTS NOTE |
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We are seven |
| 505 0# - FORMATTED CONTENTS NOTE |
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A whirl-blast from behind the hill |
| 505 0# - FORMATTED CONTENTS NOTE |
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Good Blake and Harry Gill |
| 505 0# - FORMATTED CONTENTS NOTE |
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Her eyes are wild |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lines written in early spring |
| 505 0# - FORMATTED CONTENTS NOTE |
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The tables turned |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Lines written in early spring |
| 505 0# - FORMATTED CONTENTS NOTE |
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The tables turned |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lines composed a few miles above Tintern Abbey |
| 505 0# - FORMATTED CONTENTS NOTE |
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A slumber did my spirit seal |
| 505 0# - FORMATTED CONTENTS NOTE |
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The two thieves |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Nutting |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A poet's epitaph |
| 505 0# - FORMATTED CONTENTS NOTE |
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Strange fits of passion have I known |
| 505 0# - FORMATTED CONTENTS NOTE |
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She dwelt among the untrodden ways |
| 505 0# - FORMATTED CONTENTS NOTE |
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Simon Lee : the old huntsman |
| 505 0# - FORMATTED CONTENTS NOTE |
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I travelled among unknown men |
| 505 0# - FORMATTED CONTENTS NOTE |
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Three years she grew in sun and shower |
| 505 0# - FORMATTED CONTENTS NOTE |
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The fountain |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lucy Gray |
| 505 0# - FORMATTED CONTENTS NOTE |
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Ruth |
| 505 0# - FORMATTED CONTENTS NOTE |
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On nature's invitation do I come |
| 505 0# - FORMATTED CONTENTS NOTE |
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Bleak season was it, turbulent and bleak |
| 505 0# - FORMATTED CONTENTS NOTE |
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Hart-leap well |
| 505 0# - FORMATTED CONTENTS NOTE |
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It was an April morning : fresh and clear |
| 505 0# - FORMATTED CONTENTS NOTE |
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There is an eminence, —of these our hills |
| 505 0# - FORMATTED CONTENTS NOTE |
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A narrow girdle of rough stones and crags |
| 505 0# - FORMATTED CONTENTS NOTE |
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'Tis said, that some have died for love |
| 505 0# - FORMATTED CONTENTS NOTE |
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Michael |
| 505 0# - FORMATTED CONTENTS NOTE |
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The sparrow's nest |
| 505 0# - FORMATTED CONTENTS NOTE |
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The sun has long been set |
| 505 0# - FORMATTED CONTENTS NOTE |
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Composed upon Westminster Bridge |
| 505 0# - FORMATTED CONTENTS NOTE |
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Character of the happy warrior |
| 505 0# - FORMATTED CONTENTS NOTE |
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Calais, August, 1802 |
| 505 0# - FORMATTED CONTENTS NOTE |
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It is a beauteous evening, calm and free |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On the extinction of the Venetian Republic |
| 505 0# - FORMATTED CONTENTS NOTE |
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London, 1802 |
| 505 0# - FORMATTED CONTENTS NOTE |
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Great men have been among us |
| 505 0# - FORMATTED CONTENTS NOTE |
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To a butterfly |
| 505 0# - FORMATTED CONTENTS NOTE |
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My heart leaps up when I behold |
| 505 0# - FORMATTED CONTENTS NOTE |
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It is not to be thought of that the flood |
| 505 0# - FORMATTED CONTENTS NOTE |
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When I have borne in memory what has tamed |
| 505 0# - FORMATTED CONTENTS NOTE |
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To H. C. |
| 505 0# - FORMATTED CONTENTS NOTE |
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Who fancied what a pretty sight |
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The solitary reaper |
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Yarrow unvisited |
| 505 0# - FORMATTED CONTENTS NOTE |
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England! The time is come when thou shoud'st wean |
| 505 0# - FORMATTED CONTENTS NOTE |
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To the men of Kent, October 1803 |
| 505 0# - FORMATTED CONTENTS NOTE |
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The green linnet |
| 505 0# - FORMATTED CONTENTS NOTE |
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It is no spirit who from heaven hath flown |
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She was a Phantom of delight |
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I wandered lonely as a cloud |
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The affliction of Margaret |
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The forsaken |
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Repentance |
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French revolution |
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Ode to duty |
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To a sky-lark |
| 505 0# - FORMATTED CONTENTS NOTE |
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Elegiac Stanzas |
| 505 0# - FORMATTED CONTENTS NOTE |
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When, to the attraction of the busy world |
| 505 0# - FORMATTED CONTENTS NOTE |
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Stray pleasures |
| 505 0# - FORMATTED CONTENTS NOTE |
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Power of music |
| 505 0# - FORMATTED CONTENTS NOTE |
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Star-gazers |
| 505 0# - FORMATTED CONTENTS NOTE |
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Yes, it was mountain echo |
| 505 0# - FORMATTED CONTENTS NOTE |
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Nuns fret not at their convent's narrow room |
| 505 0# - FORMATTED CONTENTS NOTE |
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Admonition |
| 505 0# - FORMATTED CONTENTS NOTE |
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How sweet it is, when mother fancy rocks |
| 505 0# - FORMATTED CONTENTS NOTE |
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Those words were uttered as in pensive mood |
| 505 0# - FORMATTED CONTENTS NOTE |
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With how sad steps, O moon, thou climb'st the sky |
| 505 0# - FORMATTED CONTENTS NOTE |
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The world is too much with us, late and soon |
| 505 0# - FORMATTED CONTENTS NOTE |
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With ships the sea was sprinkled far and nigh |
| 505 0# - FORMATTED CONTENTS NOTE |
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Methought I saw the footsteps of a throne |
| 505 0# - FORMATTED CONTENTS NOTE |
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Ode : intimations of immorality |
| 505 0# - FORMATTED CONTENTS NOTE |
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Brook, that hast been my solace days and weeks |
| 505 0# - FORMATTED CONTENTS NOTE |
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And is it among rude untutored Dales |
| 505 0# - FORMATTED CONTENTS NOTE |
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O'er the wide earth on mountain and on plain |
| 505 0# - FORMATTED CONTENTS NOTE |
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The power of armies is a visible thing |
| 505 0# - FORMATTED CONTENTS NOTE |
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Laodamia |
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The fairest, brightest, hues of ether fade |
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Weak is the will of man, his judgment blind |
| 505 0# - FORMATTED CONTENTS NOTE |
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Hail, twilight, sovereign of one peaceful hour |
| 505 0# - FORMATTED CONTENTS NOTE |
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Even as a dragon's eye that feels the stress |
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Suprised by joy—impatient as the wind |
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The pilgrims dream |
| 505 0# - FORMATTED CONTENTS NOTE |
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The stars are mansions built by nature's hand |
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From this deep chasm, where quivering sunbeams play |
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Mutability |
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Not love, not war, nor the tumultuous swell |
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The wishing gate |
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On the power of sound |
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Calm is the fragrant air |
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The somnambulist |
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Four fiery steed impatient of the rein |
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Scorn not the sonnet |
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Airey-force valley |
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Most sweet it is |
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I know an aged man constrained to dwell |
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The unremitting voice of nightly streams |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
English poetry |
| Chronological subdivision |
19th century |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
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| Topical term or geographic name as entry element |
Literature |
| 9 (RLIN) |
10993 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |