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08303nam a22017897a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240731080601.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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240715s2003 mau b 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0312397313 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| Description conventions |
rda |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
808.831 |
| 245 14 - TITLE STATEMENT |
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| Title |
The story and its writer |
| Remainder of title |
: an introduction to short fiction |
| Statement of responsibility, etc. |
/ [edited by] Ann Charters |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Compact sixth edition |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Boston : |
| Name of producer, publisher, distributor, manufacturer |
Bedford/St. Martin's, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2003] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xx, 1060 pages |
| 336 ## - Content Type |
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| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction : the story and its writer |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part I. Stories |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The lone ranger and Tonton fistfight in heaven / Sherman Alexie |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Hands / Sherwood Anderson |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Happy endings / Margaret Atwood |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Sonny's blues / James Baldwin |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The lesson / Toni Cade Bambara |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Black man and white woman in dark green rowboat / Russell Banks |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
An occurrence at owl creek bridge / Ambrose Bierce |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The end of the duel / Jorge Luis Borges |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The bath / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A small, good thing / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
What we talk about when we talk about love / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Paul's case / Willa Cather |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The swimmer / John Cheever |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Angel [the darling] / Anton Chekhov |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The lady with the little dog / Anton Chekhov |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The story of an hour / Kate Chopin |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The house of Mango Street / Sandra Cisneros |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Heart of darkness / Joseph Conrad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The open boat / Stephen Crane |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Night women / Edwidge Danticat |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Battle royal / Ralph Ellison |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The red convertible / Louise Erdrich |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A rose for Emily / William Faulkner |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
That evening sun / William Faulkner |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Tiny, smiling daddy / Mary Gaitskill |
| 505 0# - FORMATTED CONTENTS NOTE |
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A very old man with enormous wings / Gabriel García Márquez |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The yellow wallpaper / Charlotte Perkins Gilman |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The ultimate safari / Nadine Gordimer |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Young Goodman Brown / Nathaniel Hawthorne |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Hills like white elephants / Ernest Hemmingway |
| 505 0# - FORMATTED CONTENTS NOTE |
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The gilded six-bits / Zora Neale Hurston |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Spunk / Zora Neale Hurston |
| 505 0# - FORMATTED CONTENTS NOTE |
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Sweat / Zora Neale Hurston |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Rip Van Wrinkle / Washington Irving |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The lottery / Shirley Jackson |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A white heron / Sarah Orne Jewett |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Araby / James Yoyce |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The dead / James Yoyce |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The metamorphosis / Franz Kafka |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Girl / Jamaica Kincaid |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The widow's son / Mary Lavin |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The rocking-horse winner / D. H. Lawrence |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The ones who walk away from Omelas / Ursula K. Le Guin |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The garden-party / Katherine Mansfield |
| 505 0# - FORMATTED CONTENTS NOTE |
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Shiloh / Bobbie Ann Mason |
| 505 0# - FORMATTED CONTENTS NOTE |
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The necklace / Guy de Maupassant |
| 505 0# - FORMATTED CONTENTS NOTE |
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Bartleby, the scrivener / Herman Melville |
| 505 0# - FORMATTED CONTENTS NOTE |
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Patriotism / Yukio Mishima |
| 505 0# - FORMATTED CONTENTS NOTE |
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Boys / Rick Moody |
| 505 0# - FORMATTED CONTENTS NOTE |
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The management of grief / Bharati Mukherjee |
| 505 0# - FORMATTED CONTENTS NOTE |
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Family furnishings / Alice Munro |
| 505 0# - FORMATTED CONTENTS NOTE |
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Where are you going, where have you been? |
| 505 0# - FORMATTED CONTENTS NOTE |
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The things they carried / Tim O'Brien |
| 505 0# - FORMATTED CONTENTS NOTE |
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Everything that rises must converge / Flannery O'Connor |
| 505 0# - FORMATTED CONTENTS NOTE |
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A good man is hard to find / Flannery O'Connor |
| 505 0# - FORMATTED CONTENTS NOTE |
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I stand here ironing / Tillie Olsen |
| 505 0# - FORMATTED CONTENTS NOTE |
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A conversation with my father / Grace Paley |
| 505 0# - FORMATTED CONTENTS NOTE |
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My life with the wave / Octavio Paz |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The cask of amontillado / Edgar Allan Poe |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The jilting of Granny Weatherall / Katherine Anne Porter |
| 505 0# - FORMATTED CONTENTS NOTE |
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The blood bay / Annie Proulx |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Steinbeck / John Steinbeck |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Two kids / Amy Tan |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The secret life of Walter Mitty / James Thunber |
| 505 0# - FORMATTED CONTENTS NOTE |
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The death of Ivan Ilyich / Leo Tolstoy |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Blood-burning moon / Jean Toomer |
| 505 0# - FORMATTED CONTENTS NOTE |
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A & P / John Updike |
| 505 0# - FORMATTED CONTENTS NOTE |
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Everyday use / Alice Walker |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A worn path / Eudora Welty |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The use of force / William Carlos Williams |
| 505 0# - FORMATTED CONTENTS NOTE |
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The rich brother / Tobias Wolff |
| 505 0# - FORMATTED CONTENTS NOTE |
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The man who was almost a man / Richard Wright |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part II. Commentaries |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
An image of Africa : Conrad's "Hearth of darkness" / Chinua Achebe |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Form, not plot, in the short story / Sherwood Anderson |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Reading blind / Margaret Atwood |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Author's note / Russell Banks |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On the meaning and form of "The end of the duel" / Jorge Luis Borges |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The stories of Katherine Mansfield / Willa Cather |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Why I write short stories / John Cheever |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
How I stumbled upon Maupassant / Kate Chopin |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The sinking of the commodore / Stephen Crane |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The influence of folklore on "Battle royal" / Ralph Ellison |
| 505 0# - FORMATTED CONTENTS NOTE |
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The meaning of "A rose for Emily" / William Faulkner |
| 505 0# - FORMATTED CONTENTS NOTE |
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Why we like Chekhov / Richard Ford |
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A feminist reading of Gilman's " The yellow wallpaper" / Sandra M. Gilbert and Susan Gubar |
| 505 0# - FORMATTED CONTENTS NOTE |
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Undergoing the cure for nervous prostration / Charlotte Perkins Gilman |
| 505 0# - FORMATTED CONTENTS NOTE |
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Why I wrote "The yellow paper" / Charlotte Perkins Gilman |
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A feminist perspective on Katherine Anne Porter and "The jilting of Granny Weatherall" / Carolyn G. Heilbrun |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Letter to Henry Brevoort, December 11, 1824 |
| 505 0# - FORMATTED CONTENTS NOTE |
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The morning of June 28, 1948, and "The lottery" / Shirley Jackson |
| 505 0# - FORMATTED CONTENTS NOTE |
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Looking back on girlhood / Sarah Orne Jewett |
| 505 0# - FORMATTED CONTENTS NOTE |
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Lynching in Tennessee / James Weldon Johnson |
| 505 0# - FORMATTED CONTENTS NOTE |
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On "Girl" / Jamaica Kincaid |
| 505 0# - FORMATTED CONTENTS NOTE |
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The lust of hate in Poe's "The cask of amontillado" / D. H. Lawrence |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On "The garden-party" / Katherine Mansfield |
| 505 0# - FORMATTED CONTENTS NOTE |
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On Tim O'Brien's "The things they carried" / Bobbie Ann Mason |
| 505 0# - FORMATTED CONTENTS NOTE |
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The writer's goal / Guy de Maupassant |
| 505 0# - FORMATTED CONTENTS NOTE |
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Blackness in Hawthorne's "Young goodman brown" / Herman Melville |
| 505 0# - FORMATTED CONTENTS NOTE |
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How I write short stories / Alice Munro |
| 505 0# - FORMATTED CONTENTS NOTE |
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Peter Klaus the goatherd / J. C. C. Nachtigal |
| 505 0# - FORMATTED CONTENTS NOTE |
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Smooth talk : short story into film / Joyce Carol Oates |
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A reasonable use of the unreasonable / Flannery O'Connor |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Writing short stories / Flannery O'Connor |
| 505 0# - FORMATTED CONTENTS NOTE |
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Style and form in Joyce's "The dead" / Frank O'Connor |
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A conversation with Ann Charters / Grace Paley |
| 505 0# - FORMATTED CONTENTS NOTE |
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The importance of the single effect in a prose tale / Edgar Allan Poe |
| 505 0# - FORMATTED CONTENTS NOTE |
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Chekhov's intent in "The darling" ["Angel"] / Leo Tolstoy |
| 505 0# - FORMATTED CONTENTS NOTE |
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The greatness of Conrad's "Hearth of darkness" / Lionel Trilling |
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Kafka and "the metamorphosis" / John Updike |
| 505 0# - FORMATTED CONTENTS NOTE |
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Is Phoenix Jackson's grandson really dead? / Eudora Welty |
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On "the rich brother" / Tobias Wolf |
| 505 0# - FORMATTED CONTENTS NOTE |
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Reading fiction / Richard Wright |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part III. Casebooks |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On writing / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Creative writing / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Ashtray / Raymond Carver |
| 505 0# - FORMATTED CONTENTS NOTE |
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As Raymond Carver muses, his stature grows / Jim Naughton |
| 505 0# - FORMATTED CONTENTS NOTE |
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On "The bath and "A small, Good thing" / Kathleen Westfall Shute |
| 505 0# - FORMATTED CONTENTS NOTE |
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A reading of "What we talk about when we talk about love" / Arthur M. Saltzman |
| 505 0# - FORMATTED CONTENTS NOTE |
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Looking for Raymond Carver / A. O. Scott |
| 505 0# - FORMATTED CONTENTS NOTE |
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How it feels to be colored me / Zora Neale Hurston |
| 505 0# - FORMATTED CONTENTS NOTE |
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What white publishers won't print / Zora Neale Hurston |
| 505 0# - FORMATTED CONTENTS NOTE |
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A folkloric analysis of Hurston's "Spunk" / Robert Bone |
| 505 0# - FORMATTED CONTENTS NOTE |
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The shape of Hurston's fiction / Rosalie Murphy Baum |
| 505 0# - FORMATTED CONTENTS NOTE |
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Zora Neale Hurston : a cautionary tale and a partisan view / Alice Walker |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Short stories |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
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| Topical term or geographic name as entry element |
Literature |
| 9 (RLIN) |
10993 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Charters, Ann |
| Relator term |
editor |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |