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A companion to public art / edited by Cher Krause Knight and Harriet F. Senie

Contributor(s): Material type: TextTextSeries: Wiley Blackwell companions to art historyPublisher: Hoboken, New Jersey : John Wiley & Sons, 2020Description: xix, 491 pages : illustrationsContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781119190806
Subject(s): DDC classification:
  • 711.57
Contents:
Part I. Traditions
1. Memorizing the holocaust
2. Chilean memorials to the disappeared : symbolic reparations
3. Modern mural painting in the United States
4. Locating history in concrete and bronze : civic monuments in Bamako, Mali
5. The conflation of heroes and victims : a new memorial paradigm
Part II. Site
6. Sculptural showdown : (re)siting and (mis)remembering in Chicago
7. In the streets where we live
8. Powerlands : land art as retribution and reclamation
9. Waterworks : politics, public art, and the university campus
10. Augmented realities : digital art in the public sphere
Part III. Audience
11. Audiences are people, too : social art practice as lived experience
12. Contextualizing the public in social practice projects
13. Art administrators and audiences
14. Poll the jury : the role of the panelist in public art
15. Participatory public art evaluation : approaches to researching audience response
Part IV. Frames
16. The time frame : encounters with ephemeral public art
17. The memory frame : set in stone, a dialogue
18. The patronage frame : New York City's mayors
19. The process frame : vandalism, removal, re-siting, destruction
20. The marketing frame : online corporate communities
21. The mass media frame : pranking, soap operas, and public art
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Holdings
Item type Current library Collection Call number Status Barcode
Book Book Main Library Reference Section Reference R 711.57 C737 2020 (Browse shelf(Opens below)) Room use only 52795QC

Includes bibliographical references and index.

Part I. Traditions

1. Memorizing the holocaust

2. Chilean memorials to the disappeared : symbolic reparations

3. Modern mural painting in the United States

4. Locating history in concrete and bronze : civic monuments in Bamako, Mali

5. The conflation of heroes and victims : a new memorial paradigm

Part II. Site

6. Sculptural showdown : (re)siting and (mis)remembering in Chicago

7. In the streets where we live

8. Powerlands : land art as retribution and reclamation

9. Waterworks : politics, public art, and the university campus

10. Augmented realities : digital art in the public sphere

Part III. Audience

11. Audiences are people, too : social art practice as lived experience

12. Contextualizing the public in social practice projects

13. Art administrators and audiences

14. Poll the jury : the role of the panelist in public art

15. Participatory public art evaluation : approaches to researching audience response

Part IV. Frames

16. The time frame : encounters with ephemeral public art

17. The memory frame : set in stone, a dialogue

18. The patronage frame : New York City's mayors

19. The process frame : vandalism, removal, re-siting, destruction

20. The marketing frame : online corporate communities

21. The mass media frame : pranking, soap operas, and public art

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